Monday, April 16, 2012

Neon Prince has financial problems.


To wit, what farther I from black dong's shadow light
In fear of my ensuing blight to gray
Without the purples of his shadows, and the greeds his eyes?
Without my greed, without the lust that lives and dyes?
Arise.
From loss or lack of property, the last estate
The Prince vacated now his grounds,
But still must stand.
He, Prince of neon heavy bowed and weighed
With hound's tooth shadows on his mortgaged grave,
Had bent his hand around those branches now are felled.
So where entomb,
But neon gardens of the world?
Though none is mine.

The head is heavier without its crown of lead,
The cheek has ripened and has shed its down
But so
The neon kingdom grows between the gaps,
Though ripped, again, by the caretaker's claw.
And garden boys who sported now are dead by their own hands
Our blooms, now cheap Osirises and paper Hels
Now pasted varnished Romeos and Juliets
Without redress, what now!

Oh what
What poverty and poverty of life in this
The prayer for sustenance to rattling pods
Oh wealth and poverty, pajama pants, patina'd socks beneath a trailing seam.
Oh Prince of ruin, flaming tower and thorn
Burn down them all so your estate may thrive.
They die,
They move aside so he may live?
But why so many princes rose and fell,
Could not his tiny palace shed its rents
Forget
Forget the debts and flap the sceptre in his private dance,

But where?


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Monday, February 6, 2012

Noise Night

One of six commemorative prints, given to members of an elite corps in honor of a successful mission. 

Friday, January 21, 2011

Kipple

Why do we have to constantly negotiate with objects, objects of human devising?  The phone and its charger, the brush, the comb, the spray varnish.  The keys, the radiator, the spare bucket.  The fork, the other fork.  The organizing and discipline of objects is a chief task in each of our lives; we all work as supervisors but receive no pay at all.
How I respect my friends who have no respect for property!  I respect them but hardly ever let them into my house.  A fine thing, abstractly, to see a man rampage through a room, breaking and rearranging everything at will, feeling himself master at last of his own hideously complicated man-made wilderness.  But an intolerable thing in social terms.
Phillip K Dick talks about the accumulation of "kipple," junk which mysteriously perpetuates itself and cannot be disposed of.  The post-apocalyptic wastes of California are made uninhabitable by toxic fallout but also by a waist-deep sludge of junk which fills every ruined building.  Somehow this is a perfect image for ordinary suffering, the mediocre guilt we endure.  The sure knowledge that we have filled the world with junk.
If only there were one interface, one master machine that met all the demands of civilized life.  All arts and crafts would be applied to it, all written discourse would flow through it.  Are we going in that direction, or are we accumulating more and more specialized devices, even though we finally have the capacity to make a single multi-device to meet many needs at once?
Tonight I am painting on the back porch of my friend's cluttered house, where every day upon waking I have to rummage in my bags, dress, and then go through the rooms throwing away various odds and ends to restore spatial sanity.  No distinction seems to be made, by this individual, between things which are inert and things which rot.  So on the couch I might find a shower cap and an electric guitar, or just as readily there could be a slice of pizza and an open tube of toothpaste.
I should probably not go any further, to the point of mentioning that his disorder has mental aspects.  There is the horrible feeling, when talking with him, that a great number of mental objects are being snatched up from the floor, only to be thrown down again sporadically or perhaps piled into teetering stacks.  The objects are grasped up, listed, named, forgotten - unmoored from any thematic conceit, any meaningful sequence.
Of course, rather than being shocked by his disorder I should be amazed that others can impress me as orderly.  His state is a consequence of handling thoughts as though they were objects.  But we have hardly any experiences that should teach us to find narrative correlations or themes or analogies.  Most of life before civilization was a struggle to manipulate natural objects to our advantage; now we fight to control a vast array of tools and accessories.  We have made a second world purely to suit our purposes, but the second world is no more congenial to the mind.  Maybe it's not inevitable that it should be so; maybe it's a failure of imagination on our part.  We duplicated the perplexity that already existed.
I had the feeling while painting tonight that this "art" was merely another fight against, or within, the mountain of trash.

Monday, November 29, 2010

More Recent Yet

The tapestry depicts a hunting scene with hounds and lions, but it's difficult to see.

Tuesday, July 13, 2010

Not Another Neon Prince: Taxpayer Sponsored Art Initiative, Second Installment



As we swill down our aspertame-backwash super-stimulant 5-hour,
Let us pledge ouselves to an accurate count
A census above all censure
A census to incense our rival offices
Brothers
Our lives
Our deadlines prince of neon yours for now
Crucifixions
First born first shorn
Cut from the grip of life by our tallying talon
Why no one cares for no one
Where are the wise men of your census now
Why follow we the black star
Why try
Why try we update enumerate a rubber cigar?

Monday, June 28, 2010

Morose Lines on Making a Collage:






Why can art eer be wot it ought?
Being the back face of anything not wrought.
We being aught and seeing naught,
Or just inverted to be naught and see all,
The blank grope between thought, known and caught.
How far?

When can expression not expose all laws?
Forget all begotten and clamp time's maw.
Being and seeing all and nil
Knowing and giving away its laws
Or leaving them inside time's jaws.
To see, to be reversed in perversion,
Versions persisting in evasion.

Plaid prince, in prints of neon
Brash kiss, blood engendered Prince of this small kingdom.
Prince of phallus, bride of pulp and pith
Flapping its black dong off the garden wall.

But then is gone.
Alone
Along the garden wall
Forgotten or compressed, or barred under the prince's wand
And wadded into time's small hand
It stands,
Is branded with the prints of neon.
All along
Neon virgins parading in inversion,
Black dong
Black dong it stands.

In art, in arc of flat flowers growing past their bounds
In ink, in carbon and in paper flaps
In lieu, in place of recollection
Mere accumulation of the flowering lines.
Our lives
Our lives are Prince of neon yours for now.
What for,
What for remember we what black dong dropped
And rendered not, black dong black dong!

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Saturday, May 8, 2010

Taxpayer Sponsored Art Initiative


The production of this work was underwritten by US citizens like you.  I wish to convey special thanks to households which neglected to mail back their 2010 Census questionnaire.

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Wednesday, March 3, 2010

Cash Rules on Fat Tues

                                                                                       



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